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On the one hand, there is
the completely asymmetrical, ’open’ time structure (extremely
centrifugal), and on the other hand, time turned sound, static, ’image’.
Through the regular alternation of the two time types, the listener is
gradually prepared to ’simultaneously dwell in two different perceptions
of time; at the end of the piece, these two formal types are
superimposed in the listener’s memory — even though the piece itself
contains not a single...