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The erotic child Kincaid asserts that this new thing, the post-romantic 'child', has been deployed as a political and philosophical agent, a weapon used to assault substance and substitute in its place a set of negative inversions: ' innocence ', 'purity', and 'emptiness'. The construction of the modern 'child' is in this sense largely an evacuation: childhood in our culture has come to be largely a coordinate set of have nots: the child is that which does not have.