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http://tk.dswarmsikhttkg7jgsoyfiqpj3ighupfrvuz5ri3lu5q2dlqyrpgk7ad.onion/posts/2023-09-02-free-stochastic-music-draft.html
第一项任务是从所有继承的惯例中抽象出来，并对思想行为及其物化进行基本的批判。事实上，音乐作品在结构层面上提供了什么？它提供了一系列希望成为因果的序列。为简化起见，当大调音阶暗示其音调功能的层次结构——Tonic, Subdominant, and Dominant——其他音符围绕着它时，它一方面以高度确定的方式构建线性过程或旋律，同时另一方面，事件或和弦。于是，维也纳学派的序列主义作曲家，由于不知道如何在逻辑上掌握无调性的不确定性，回到了一个严格意义上的极端因果关系，比有调性更抽象的组织。
